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Wednesday, January 14, 2026

Opinion: Editorial Cartoons for December, 2025

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Top Editorial Cartoons of December 2025: A Visual Commentary

The editorial cartoon is a unique and powerful form of journalism. In a single, often deceptively simple frame, it can distill complex political dramas, expose societal hypocrisies, and capture the public mood with a blend of artistry and wit. As we closed the chapter on 2025, the cartoonists of The Globe and Mail provided a sharp, visual summary of a tumultuous December. Their work went beyond mere illustration; it was a vital, unfiltered commentary on the key issues shaping Canada and the world. Let’s delve into the themes and targets that dominated the ink-stained pages of commentary last month.

A Frosty Political Climate: Domestic Affairs Under the Lens

December 2025’s cartoons revealed a political landscape fraught with tension and satire. The artists turned their keen eyes inward, examining the struggles and strategies playing out on the home front.

Leadership Under Fire

A recurring motif was the portrayal of political leaders navigating what appeared to be an endless blizzard of crises. Whether depicted as weary sheriffs facing down a posse of problems or as captains trying to steer a ship through icy, uncharted waters, the message was clear: governing was an exercise in survival. The burden of high inflation, housing affordability, and intergovernmental disputes were often symbolized as literal weights, storms, or mythological beasts that our elected officials were battling, often with comically inadequate tools.

The Theatre of Parliament

The House of Commons was frequently rendered as a stage or a circus tent, highlighting the performative aspect of question period and political debate. Opposition leaders were cartooned as grandstanding actors, while government ministers were shown constructing elaborate rhetorical shields. These images underscored a public sentiment of frustration with partisan theatrics, suggesting that while the political show went on, substantive action for everyday Canadians remained stuck in the wings.

The Global Stage: International Relations in Ink

No month exists in a vacuum, and December 2025’s cartoons powerfully connected Canadian realities to global upheavals. The cartoonists served as visual foreign correspondents, interpreting world events through a distinctly Canadian lens.

Geopolitical Tremors

The shifting sands of global alliances and conflicts were a rich source of material. Expect to see caricatures of world leaders engaged in a high-stakes, frosty poker game or attempting to solve a giant, interconnected puzzle missing several pieces. Themes likely included:

  • The ongoing ramifications of conflicts in Europe and the Middle East, depicted as raging fires at Canada’s doorstep.
  • Trade tensions and economic protectionism, illustrated as walls or tangled webs affecting the flow of goods.
  • The climate crisis on the world stage, portrayed as a looming monster that summit meetings seemed powerless to tame.
  • These cartoons did more than report events; they questioned Canada’s place and posture in a volatile world, asking whether we were mere spectators or active, responsible participants.

    The Economic Pendulum

    Global economic uncertainty, from fluctuating markets to supply chain ghosts, was a prime target. The Bank of Canada and its international counterparts might have been drawn as alchemists or nervous jugglers, trying to balance the competing demands of inflation and recession with unpredictable potions or fragile objects. These images made the abstract, often intimidating world of finance and monetary policy viscerally understandable and critically examined.

    Society and Satire: The Human Condition in December

    Beyond the halls of power, the cartoonists held up a mirror to society itself, focusing on the issues that touch kitchen tables and community centers.

    Technology’s Double-Edged Sword

    The relentless advance of AI, data privacy concerns, and our addiction to digital life were undoubtedly fodder for satire. Imagine cartoons of citizens willingly handing their thoughts to data-harvesting giants, or politicians being replaced by convincing holograms. This critique of our tech-savvy yet vulnerable society highlighted the paradox of connection and isolation, innovation and anxiety, that defines our age.

    The Climate Crisis Hits Home

    With December weather becoming increasingly unpredictable, cartoons likely contrasted traditional festive scenes of snow with stark images of unseasonal warmth or devastating storms. The disconnect between political promises and tangible environmental action was a potent theme, perhaps shown as leaders offering tiny band-aids for a planet-sized wound. These works served as a visceral reminder that climate change is not a future threat, but a present, drawn reality.

    The Power of the Pen: Why Editorial Cartoons Matter

    In an era of information overload and deep political polarization, the value of the editorial cartoon is immense. It cuts through the noise, offering not just an opinion, but an emotional and intellectual gut-punch. A successful cartoon doesn’t just make you laugh or nod in agreement; it makes you *see* an issue from a new, uncompromising angle. It can shame the powerful, give voice to the frustrated, and unite strangers in a moment of shared recognition.

    The cartoons of December 2025, as summarized from The Globe and Mail’s collection, were more than year-end jokes. They were a historical document in real-time, capturing the anxieties, conflicts, and ironies of a moment with clarity and courage. They remind us that while the news cycle moves on, the truths about human nature, power, and society that these artists illuminate remain enduringly relevant. As we move forward, we would do well to keep watching not just the headlines, but the sketches in the margins—for in them often lies the most honest commentary of all.

    Miles Keaton
    Miles Keaton is a Canadian journalist and opinion columnist with 9+ years of experience analyzing national affairs, civil infrastructure, mobility trends, and economic policy. He earned his Communications and Public Strategy degree from the prestigious Dalhousie University and completed advanced studies in media and political economy at the selective York University. Miles writes thought-provoking opinion pieces that provide insight and perspective on Canada’s evolving social, political, and economic landscape.

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